Gretchen Andrew

Born in Los Angeles, United States, 1988

Resume includes upcoming exhibitions 

 

EDUCATION / WORK

B.S. in Information Systems (Honors), Boston College, Chestnut Hill, MA, 2010

Intuit, Software Engineer, 2006 - 2009

Google, People Technology Manager, 2010 - 2012

Billy Childish Studio Apprenticeship,  2013 - 2017

 

SELECTED SOLO EXHIBITIONS

2021    Other Forms of Travel, Annka Kultys Gallery, London, United Kingdom

2021    Trust Boundary, Francisco Carolinum, Linz, Austria 

2020    Future News, Monterey Museum of Art, Monterey, CA 

2019    NOT NOT THE TURNER PRIZE, Chelsea Cookhouse, London, United Kingdom

            Whitney Biennial 2019...Vision Board, LACDA, Los Angeles, CA

2018 Roughly Translated As: Ubuntu, A4 Gallery, Cape Town, South Africa

2017 Internet Imperialism, 18th Street Art Center, Santa Monica, CA

HOW TO HOW TO HOW TO draw, http://linkcabinet.eu

2016 Interior, Whitcher Projects, Inglewood, CA

HOW TO HOW TO HOW TO, Arebyte Gallery, London, United Kingdom

2015 Virtual Reality, De Re Gallery, Los Angeles, CA

Pigment As Pixel, Hoxton Gallery, London, United Kingdom

2014 Painting As Interface, The White Building, London United Kingdom

 

SELECTED GROUP EXHIBITIONS

2021    Painting in the digital age, König Galerie Berlin

2020 Real-Time Constraints, Arebyte, London, United Kingdom
2019 Art & AI, Swiss Re Centre for Global Dialogue, Rüschlikon, Switzerland

2018 Search Engine Art, V&A Museum, London, United Kingdom (book)

2018 Mozfest Open Web, Mozilla Foundation, London, United Kingdom 

2014 Digital Futures, V&A Museum, London, United Kingdom

 

RESIDENCIES

2021    A4 Arts Foundation

2021    National Gallery X, London, UK

2021    ScreenWalk, The Photographer’s Gallery London with Fotomuseum Winterthur

2020 Gazelli Art House Gazell.io, London, UK

2019 IsThisIt, London, UK

2018 18th Street Arts Center, Santa Monica, CA

2016 Whitcher Projects, Inglewood, CA

2016 Arebyte, London, UK

2014 The White Building, London, UK



 

TEACHING & LECTURES

2021    University of Chicago, Boston College, Willem de Kooning Academie, Mozilla Festival

2019    Feminism & Artificial Intelligence, Mozilla Foundation Festival, London, United Kingdom

            Painting and New Media, University of East London, London United Kingdom

            Search Engine Art, Hennessy & Ingalls, Los Angeles

Lecture to new MA students, Chelsea College of Arts, London UK

Digital Now, Margate, UK

2018 Wikimania, Cape Town, South Africa

Lux Gallery, London, United Kingdom

The British Computer Society, London, United Kingdom

2017 Art and AI, Emmanuel College at Cambridge University, Cambridge, United Kingdom

The Photographer’s Gallery, London, United Kingdom

Vivid Projects, Birmingham, United Kingdom

2016 Moving Image New Media, The London Film School, London, United Kingdom

The International Conference on the GIF, University of Bologna, Italy

2014 Digital Utopias, The British Arts Council, Hull, United Kingdom

The British Computer Society, London, United Kingdom

New Media, University of the Arts London, London United Kingdom

2013 The British Film Institute, London, United Kingdom


 

SHORT LISTS

2015 The Delfina Foundation, London, United Kingdom

 

SELECTED PUBLISHED WRITING

Column Curator and Contributor, The Art Newspaper, 2020

https://www.theartnewspaper.com/the-art-newspaper-s-xr-panel

Book: Search Engine Art, V&A Museum, 2018

https://www.vam.ac.uk/blog/museum-life/search-engine-art

Google Exacerbates the Internet's Sexism, Imperica, 2018

https://www.imperica.com/en/blogger/gretchenandrew

Search Engine Art: Internet Imperialism and the image in context, The British Computer Society, 2018

https://ewic.bcs.org/content/ConWebDoc/59622

Virtual Reality as A Platform and Medium for Artists, White Wall, 2017

https://www.whitewall.art/art/virtual-reality-as-a-platform-and-medium-for-artists

Wearable Technology and Electronic Visualisation of Artistic Process, The British Computer Society, 2014

https://ewic.bcs.org/content/ConWebDoc/53041

A Moveable Fetish: Aesthetics of Post-Internet Art, Imperica, 2015

https://www.imperica.com/en/a-moveable-fetish-aesthetics-of-post-internet-art-gretchen-andrew

Painting in the New Public, HEAD TO HEAD, Edited by Jones, N. J. & Liotchev, I., Standpoint London, 2013

http://www.standpointlondon.co.uk/gallery/2014/head-to-head/index.php