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Since becoming disillusioned with the culture of silicon valley Gretchen Andrew has been using her increasingly visible career to increase popular understanding of new technologies because she believes in the power and importance of internet, financial, and web3 literacy. 

Partners and Publications

Popularizing understanding of technology for more diversified technical and financial empowerment.


The Art Newspaper enjoys a reputation as the journal of record for the art world, and the bible of the art industry. Gretchen is one of only 10 writers who have their own column.

Art Decoded 

The Art Newspaper  -
Art Decoded

Digital artist Gretchen Andrew explains new technology and its impact on art and the art world. Read


NFT Magazine -
Editorial Director

Through our billboard, covers, social media and article design, we celebrate the artists and people involved in creating artistic and financial value in NFTs. 


The Art Newspaper -
Curator & Writer XR Panel  

Gretchen Andrew curated and wrote introductions for the Art Newspaper's XR panel before taking on her own column. Read


Whitewall   Magazine

The controversial but extraordinary art dealer, called to say that he would not be making the trek across congested London to visit my studio, instead suggesting, “Send me images of the work.” I was devastated. A studio visit, insofar as it communicates the process and environment, reveals the artist’s soul. I wanted to share more than digital images of my paintings. I needed a different solution. Read


Books & Peer Reviewed Resarch


Subjet of Press

More than 150 international publications including The Washington Post, CNN, LA Times, Fortune, and Fast Company have written about Gretchen and her work. We keep a running list. 


Gretchen was commissioned in 2022 to write for the UBS Collector's Circle on collecting VR Artwork


2023    Creative Coding Institute, Luma Foundation, The NFT Gallery, Expanded Art, The Santa Monica Museum of Art

2022    Mia Foundation, Dubai Arts Club, Darwin Circle

2021    University of Chicago, Boston College, Willem de Kooning Academie, Mozilla Festival, Ars Electronica, The British Computer Society at EVA London, Falmouth University, OK Center for Contemporary Art Austria

2019   Feminism & Artificial Intelligence, Mozilla Foundation, Painting and New Media, University of East London, Hennessy & Ingalls, Los Angeles, Lecture to new MA students, Chelsea College of Arts, Digital Now Margate 

2018 Wikimania, Cape Town, South Africa, Lux Gallery, London, United Kingdom

The British Computer Society

2017 Art and AI, Emmanuel College at Cambridge University, The Photographer’s Gallery, Vivid Projects

2016 Moving Image New Media, The London Film School, The International Conference on the GIF, University of Bologna, Italy

2014 Digital Utopias, The British Arts Council, The British Computer Society, University of the Arts London

2013 The British Film Institute


B.S. in Information Systems (Honors), Boston College, Chestnut Hill, MA, 2010

Intuit, Software Engineer, 2006 - 2009

Google, People Technology Manager, 2010 - 2012

Billy Childish Studio Apprenticeship,  2013 - 2017



2023 Unfair Milan, solo booths

Santa Monica Art Museum 

2022    Growth Hacking, Galloire, Dubai UAE

Everything I Need to be Beautiful, Falko Alexander, Cologne, Germany

Vienna Contemporary, Elektrohalle Rhomberg, Salzburg, Austria

2021    Other Forms of Travel, Annka Kultys Gallery, London, United Kingdom

            Trust Boundary, Francisco Carolinum, Linz, Austria (Acquired 3 works)

            Router at Panke Gallery, Berlin

2020    Future News, Monterey Museum of Art, Monterey, CA (Acquired a work)

2019    NOT NOT THE TURNER PRIZE, Chelsea Cookhouse, London, United Kingdom

            Whitney Biennial 2019...Vision Board, LACDA, Los Angeles, CA

2018 Roughly Translated As: Ubuntu, A4 Gallery, Cape Town, South Africa

2017 Internet Imperialism, 18th Street Art Center, Santa Monica, CA


2016    HOW TO HOW TO HOW TO, Arebyte Gallery, London, United Kingdom

2015 Virtual Reality, De Re Gallery, Los Angeles, CA

Pigment As Pixel, Hoxton Gallery, London, United Kingdom

2014 Painting As Interface, The White Building, London United Kingdom



2023 YOU TOPIA, The NFT Gallery NYC, USA

Sentiments des femmes, Mia Art Foundation, Dubai UAE

Art and AI, Kupfer Projects, London, United Kingdom

2022    LA GRANDE BOUFFE, Elektrohalle Rhomberg, Salzburg, Austria

Crypto Art Fair, NYC, United States

2021    Painting in the Digital Age, König Galerie Berlin, Germany

            Screenwalk, The Photographer’s Gallery & Fotomuseum Winterthur

            No Fear in Trying, Unit Gallery, London

2020 Real-Time Constraints, Arebyte, London, United Kingdom
2019 Art & AI, Swiss Re Centre for Global Dialogue, Rüschlikon, Switzerland

2018 Search Engine Art, V&A Museum, London, United Kingdom (book)

2018 Mozfest Open Web, Mozilla Foundation, London, United Kingdom 

2014 Digital Futures, V&A Museum, London, United Kingdom



2022   National Gallery X London

2021   Salzamt, Linz Austria

2021    A4 Arts Foundation, Cape Town, SA

2021    ScreenWalk, The Photographer’s Gallery London with Fotomuseum Winterthur

2020 Gazelli Art House, London, UK

2019 IsThisIt, London, UK

2018 18th Street Arts Center, Santa Monica, CA

2016 Whitcher Projects, Inglewood, CA

2016 Arebyte, London, UK

2014 The White Building, London, UK

Art World


Columnist, The Art Newspaper, 2020

Il Giornale dell'Arte

What if We Educated AI..., The British Computer Society, 2021

Book: Search Engine Art, V&A Museum, 2018

Google Exacerbates the Internet's Sexism, Imperica, 2018

Search Engine Art: Internet Imperialism and the image in context, The British Computer Society, 2018

Virtual Reality as A Platform and Medium for Artists, White Wall, 2017

Wearable Technology and Electronic Visualisation of Artistic Process, The British Computer Society, 2014

A Moveable Fetish: Aesthetics of Post-Internet Art, Imperica, 2015

Painting in the New Public, HEAD TO HEAD, Edited by Jones, N. J. & Liotchev, I., Standpoint London, 2013

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